Ensoniq Asr 10 User Manual

Ensoniq asr 10 service manual - File size: 2976 Kb Date added. Ensoniq asr 10 service manual The VFX allows for PPG-like synthesis using a. Ensoniq ASR-10 SCSI Interface Model SP-3 Owners/User Manual Contents: Troubleshooting Guide / Fault Diagnosis, Test Modes / Functional Testing, Service Bulletins / Engineering Changes / Modifications, An owners guide for the operation of the equipment.

Oled display upgrade for the Ensoniq DP/2 DP/4 DP/4 Amber, Red, Blue or White characters on black background available. This oled display requires some modifications to work with the Ensoniq O/S, this work is included in the listing price, oled will ship with pins attached ready to install. NO modifications are then required to your DP/2 DP/4 DP/4 **if you own a DP/PRO the display required for that is different. Contact me to discuss before buying** **If you buy a display, contact me for instructions when your ready to install**.

Contents • • • • • • • • • • • • Features [ ] The ASR-10 (Advanced Sampling Recorder) was a true performance orientated sampling workstation, and did not require a computer or additional equipment in order to create a complete song. It included a powerful and flexible effects unit, polyphonic aftertouch, an advanced MIDI sequencer, load-while-playing abilities, and a powerful multi-layered synthesis engine. The supplied 'Musician's Manual' lived up to Ensoniq's documentation practice, with a highly readable, very hands-on and quite complete description of the device.

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There was even an included tutorial that covered many features of the machine, including sampling and sequencing. Effects unit [ ]. Ensoniq DP/2 (2in/2out version) The ASR-10 offered a powerful and flexible internal effects unit (later offered as a standalone device in the ), offering the capability to resample an existing sound with an effect, and to process external signals through it live. Up to 62 effects were available to be used, also including a vocoder and distortion. The effects were all programmable, and flexible configurations were available for operating in multitimbral or performance modes.

Sequencer [ ] The ASR-10 sequencer had an internal 96 pulse-per-quarter-note 16 track sequencer. A 'song' was a collection of 'sequences' joined together, and users were able to jump to sequences live during a performance, in much the same way as software such as allows today. Canopus advc 110 problems. Songs were constructed in either a step time (note by note basis) or through live recording of the MIDI information played in. Synthesis architecture [ ] The ASR-10 had a powerful 31 voice synthesis architecture that resembled a synthesizer rather than a sampler. After selecting a sample, the sound could further be modified by up to 3 envelopes (hardwired to pitch, filter, and amplitude), 2 filters in series, one LFO, and 15 modulation sources. Up to 8 layers of different samples could be stacked together to form an 'instrument', and up to 127 different samples available up at any one time. Each sample could be modulated by any number of modulation sources, including velocity, polyphonic aftertouch, LFOs, envelopes, footpedals, or combinations of the two patch-select buttons on the left hand side of the keyboard.

These patch-select buttons(an Ensoniq trademark) allowed the player to instantly recall during performance any one of four pre-programmed combinations of the eight layers to be sounded. Sampling [ ] In its default format, the ASR-10 shipped with 2MB of internal memory. This was expandable to 16MB. The machine featured Sigma-Delta 64 times oversampling, and sampled at either 30 kHz or 44.1 kHz rates at 16 bit. The machine also has the ability to record directly to hard disk with only disk space limiting the file size.